Tina Cousins
Interview with Josh Dare
How’s this for a success story: a no-show performer at a fashion show led the organiser to panic and ask if any of the models could sing. And the only one confident enough to step forward – Tina Cousins, who would soon be signed up to Pete Waterman’s label and collaborate with Sash! on worldwide hits ‘Pray’ and ‘Mysterious Times’. We caught up with Tina on the eve of her latest release, ‘Wonderful Life’.
You were born, raised and still live in Britain – but your career seems to be mainly focused on Australia. Not that we’re complaining! But how did that come about?
The success that I’ve had in Australia has surpassed anywhere else that I’ve been to, and because I’ve had such a long break this time, the support [here] is still very strong so I just thought it was a good place to go back to. Fingers crossed, people would still remember me! (Laughs)
What does being a ‘diva’ mean to you? Do you identify with the title?
The first few times that people had said that I was a diva, I was kind of taken aback because I always think of a diva as some giant black woman belting a track out! I take it as a compliment and I suppose I’m quite a ballsy person anyway – I don’t think I would have lasted as long as I have if I hadn’t been. So when people call me a diva, I don’t take it as a ‘complete bitch’, I take it as I’m a strong woman.
Most singers tend to mime when performing live nowadays – what are your thoughts on that?
Disgusting. Bah! Unbelievably annoying. I never, ever mime. There’s no way in a million years I would ever mime – I think it’s a con. If people are paying good money to come see you in a concert, it’s really taking the mickey to stand up there and to mime to something. And not only that, surely the whole idea of it is that you can sing!
What was working with Sash! like? Any chance of you two collaborating again?
When we first worked together on Mysterious Times, we worked together really well and we got on really well. But when it came to the second track, I don’t know whether the fame thing had gone to his head, but he was really arse-y - he wasn’t the same person I’d worked with before. He was quite nasty to me. When we did the first track and it was such a success – and I worked my butt off for that track, every day for four months - he said because of what I’d given him with the first one, he’d promised me that we’d do a second one – so at least he kept his word.
You new single, ‘Wonderful Life’ is a hark back to the 80s sound – does this era of music hold some good memories for you?
Yeah, it does. That was the time that I was a teenager. The eighties were a wonderful time because everything was so different, the style and everything from the clothes, the makeup and everything that people wore was so in-your-face. I’m really pleased with the reaction [Wonderful Life] is getting – I’m over the moon. There’s whispery, whispery bits that I’m going to be coming and doing a tour in July, so fingers crossed...!
‘Wonderful Life’, the first single from the forthcoming album ‘Mastermind’, is in store Monday